The Seller of Secrets – You Should Buy This Book

It’s happened – we have a published author in our family. Sheri, the wife of my next younger brother, Daniel, has done the hard work needed to accomplish that feat. So this is me promoting The Seller of Secrets to my (tens of) readers. If you are based in the US, you can buy it here, and if you live in Europe, try this link. In the following post, you can read Sheri’s response to a few questions I put to her. Again, fair play to her on the publication of her debut novel, and may there be more to come.

Wow, what a tale. Your finished story can seem like it dropped out of the sky, but I’m sure a lot of work went on behind the scenes. How much did you plot everything out before you began writing, and how much did characters take on a life of their own?

My process changes and clarifies with each book I write. The Seller of Secrets shifted quite a bit over the years as I worked on it, hired an editor, and then edited with my agent. I didn’t outline very well to begin with, especially regarding character interaction and growth, and the magic system. I paid for that later when my (very sharp-eyed) agent was picking through it. Thankfully, she saw the potential and had the skills to help me fix inconsistencies and relational issues, and create a finished product that caught the eye of a publisher!

With my next novels I’m plotting more ahead of time, and during the plotting is when I hold my characters loosely and let them change if they need to. 

You’ve written The Seller of Secrets at a time when reading books is on the decline. How much did you take that into consideration? Did your imaginary reader have a smart phone nearby?

Not at all, haha. I know people say that, but I and most of my writing friends are reading more than ever. It may be affecting how many books get super popular with teenagers, but it’s not making us slow down as writers at all. It does make me grateful my publisher is launching all formats (e-book, paperback, and hardcover) at once so the reader who needs those options can choose. An audiobook is in the plans, but I’m not sure when that will happen. 

I’m in a writing class at the moment and the teacher says to approach all writing in a spirit of play. Does that resonate with you?

Hmm, I wouldn’t say it quite like that, but perhaps. I think I want to approach my writing in a spirit of joy, as in, remembering why I love stories. Perhaps play fits into that, but to me, joy fits better with everything I’m writing. Sad or painful scenes don’t feel like play, ever. 

For me, listening to good music (Gregory Alan Isakov, right now) is helpful to get me in a creative mood. It’s always something I’ve listened to over and over though, so it’s not distracting. Although, with lyrics like his, sometimes a phrase catches my attention anew and I stop and sit with it. I sense joy in his music as well, and it feeds mine while writing. 

Some of your characters are very vivid, especially Bell’s dialogue and thought processes. To what degree are they composites of people from real life?

The main characters are probably always going to be a little bit of me. The Seller of Secrets was my way of thinking through what it means to have power and accept the responsibilty to use it well, so some of Bell’s thought processes there are similar to mine. But I craft the finished character from various elements that I know the whole cast needs. As the side characters grow and develop in my mind, the main character might shift a bit to meet them to the best effect. 

Your description of potions and scents is believable. How much time and energy did you have to spend researching it?

I’m glad to hear that! It’s hard to calculate how much I spent on those descriptions. I usually start out with spare descriptions, then add a little more with each pass through. My agent and then all the different editors that get the book read often asked for clarification of one detail or another. It’s such an arduous process that I’m not even sure when some of the details were added. 

The book will be a success/failure if…

A tough question. I like to dream big, but my main dream is to reach readers that need this story. It’s hard to know where a debut novel is going to go, but I will view it as a success if I can build a loyal reader base for my next novels. 

I think I’m beyond failure being possible, by those standards. 🙂 I’m really proud of the story and the work I and others put into it, and I’ve already heard enough good things from readers to feel like it was a success. 

Is Free Will an Argument Against Universal Salvation?

On several occasions, I’ve met people who recognize the elegance of a Gospel that saves all, but they stop short of embracing it because they think it turns us into robots. To them, a soteriology of universal restoration smacks of God saving people whether they like it or not.

Fair enough, and it’s not the worst argument. They don’t want anything shoved down their throats. I get that.

But part of me also wonders whether they are more affected by a rugged Western individualism than they might realize. If I see myself primarily as an individual, then yes, my salvation comes down to my choices and decisions. However, if I see my identity as woven in and through community (nobody is an island), then it starts to make sense that salvation is a project aimed at the human race rather than individual people.

What, after all, is the essence of a human? Is it our physical body? Hardly. The cells in our bodies change completely every seven years. That’s not to mention the speedy decay and ultimate decomposition of our bodies after we die.

Is it our achievements? Is it our memories? Our experiences? That might be getting closer. In truth, most of us probably attach our identity to non-physical markers such as these.

And that’s where it gets interesting: these markers are all intertwined with other people. Take memories and experiences. If we remove even one person involved with our memories and experiences and consign them to eternal damnation, our identity falls apart.

In other words, we can go ahead and remove people from the picture because they failed to make the heroic act of free will and assent to God’s offer of salvation. But our own identity will be fundamentally altered because of it.

Would we rather enter eternal bliss as robots, or as truncated, lobotomized versions of ourselves?

“That at the name of Jesus every knee should bow, of things in heaven, and things in earth, and things under the earth” (Philippians 2:10). “For as in Adam all die, even so in Christ shall all be made alive” (1 Corinthians 15:22). Adam and Eve’s race is saved–or doomed–as one.

Yes, we have free will. Yes, we should make good decisions. Yes, our actions here have a profound impact on our trajectory. But there is a danger of overemphasizing these truths. We also desperately need God’s grace. As much as we want to will what is good, we find that our will is impoverished. Sick. Broken. Our very will is in need of divine intervention, in need of healing.

“Batter my heart, three-person’d God… Take me to you, imprison me.” That’s not New Age fluff, that’s John Donne writing four centuries ago.

Donne understood that if he was to be saved, it had to be the work of God, not the result of his heroic free will. And upon even a moment of cursory reflection, surely we must reach the same conclusion: the entire human race is saved by grace. (Unless, of course, we’re to go full Calvinist and say God will batter the hearts of some but not others, although poor Calvin probably said it with much more sophistication than we give him credit for.)

This Easter, it is good and right to celebrate God’s resurrection power in my life. Salvation is personal. Jesus loves me, this I know.

But it is far more glorious to consider Easter as a harbinger of salvation for all, as extending far beyond the vaguely-defined contours of my puny self to an entire human race and indeed the cosmos.